Category: Music

  • No Map or Compass

    The feeling of that first sip changed me into everything I was not: confident, brave, careless, fearless and most importantly, accepted by all the people I looked up to.

    There is nothing unique about my beginnings with alcoholism. The first time I got drunk it was exactly what every other alcoholic says, something inside of me changed. At the ripe age of 13 I took my first sip of alcohol outside the parameters of my own home.

    My parents always had empties lying around when I was a kid, mostly my dad in those years, and I found it to be both dangerous and exhilarating to take the few last bottom drips for myself. This started when I was four. Even then, the rush of being defiant felt warm and cozy — a feeling that later in life would fuel my every move.

    That same feeling hit me harder than ever before when I was sitting on a garage roof with an older boy from the neighborhood. He handed me a 26 of vodka and a one-liter carton of orange juice. Vodka, orange, vodka was how I was trained to drink. Made sense to me. The feeling of that first sip changed me into everything I was not: confident, brave, careless, fearless and most importantly, accepted by all the people I looked up to.

    Everyone drank where I came from and there were never really any parents around. Even if they were around, they didn’t seem to mind that we were stealing liquor and hiding in the basement to drink it or that they were the ones supplying it for us.

    My parents were not this way. My dad was an alcoholic drug addict and my mom was the same except she was a sober dry-drunk who eventually became an addiction counselor. So, I made sure to stay away from there as much as possible. This is how I ended up on that garage roof, eager to fit in and be like everyone else.

    I was not like everyone else. These nights became more frequent and the invites got more regular. The older boys loved getting me and my best friend as drunk as possible and seeing what they could make us do. There wasn’t much we wouldn’t do and there wasn’t much we wouldn’t drink. I had a knack for it. I could drink whatever was given to me and drink twice as much as I was expected to hold. The drunker I got, the better I felt — a dangerous cycle that my grandma, a recovered alcoholic, always warned me about. As a matter of fact, all my family warned me about the addiction gene we had but I always thought I was better than that. I would never end up a drunk.

    I kept this attitude for the next 13 years of my life. I had sobered up a few times, or tried to at least, but I always ended up coming back to the warm bath of alcohol and sinking right in.

    I started playing in bands in basements and garages when I was 16. We would play shows at community centers around Saskatoon and we would spend hours jamming, smoking weed and sipping Jägermeister. This is what all the greats did, so why would we do it any different? As I became bar age (or old enough to pass for bar age), I wanted to start playing shows to an older, more sophisticated crowd. The bar owners loved a guy that would play for free; as long as people were there drinking they didn’t mind.

    I remember the first time I got offered an “exposure” show to open for a touring band on a Thursday night on Broadway in Saskatoon. The offer was one set, 20 minutes, 50% off food and drink tickets. Drink Tickets! They were really going to pay me with booze! I had never heard of such an amazingly lavish thing. My band and I, 18 years old, playing on Broadway and being fed alcohol by the establishment. I truly felt like I was making it right then and there.

    But as all good things do, the band came to an end when my partner and I decided to pack up and move to my hometown of Calgary, Alberta. She got accepted to a school there and I could pursue my music dreams in a much bigger market.

    When I returned home all of my old drinking buddies were there right where I left them and our first night in Calgary was spent in a blackout at a karaoke bar in the same neighborhood I grew up in. It felt so good to be home. Things were not easy out in Calgary, though. I had more on my plate at 22 than anyone else I knew. I spent my days giving all of my time to others and by the time evening hit I just needed a beer. A beer would usually turn into a few more, followed by a few shots, some weed, more beers until the bar was closed and I ended up at someone’s house drinking until the booze ran out or I passed out, whichever came first.

    For a few years this was an everyday occurrence: a perpetual cycle of hangovers and morning bongs rips to get me through until it was time for a drink. The worst part is I was happy with this. Sure, I would get a little too rowdy sometimes and get into a fight with a stranger. And I mean, sure, on occasion I would end up needing to be removed by the police from the place I was at. And, okay, I once in a while got a little too drunk and liked to beat up my friends. Isn’t that what everyone did?

    2015 was the worst year of my life. My grandmother, after many years of battling heart and liver problems, passed away on April 30th. She was my rock, the only safe place I knew. Before she passed, she told me that I needed to stop drinking. She told me that the way I drank worried her and she wanted me to have a good life. She sobered up for me so I figured I could do the same for her.

    I could not. My drunks became sad, tear-filled nights that I barely remember. I don’t remember much from that year at all. November 14, 2015 is when my drinking took a hard turn for the worse. I was playing a show the night before at a bar in Calgary. Before I went on I called my dad which was a ritual we had established since I left the family acreage back in Saskatoon and he and mom split. He didn’t answer which I didn’t find to be that unusual and I figured he would call me back when he saw the missed call.

    My dad in a drunken state of desperation and sadness ended his life that night alone in our family home. I could not handle the pain of losing the two of them in the same year. It was like I was walking through the woods with no map or compass. I quit working to stay home and drink and my drunks were angry and violent. I would lash out one moment and the next be pouring shots for me and all my friends.

    The next few years are really all a big blur that I can’t seem to figure out. I was suppressing every emotion that would come up and hiding behind an image I had created with my music. No one knew what was going on inside of me unless I was in a manic, drunken state. I seemed to find a new rock bottom every few months but never seemed to hit my head hard enough.

    I am happy to say that as I write this down I have successfully stayed sober for two years’ worth of one day at a times, I have two beautiful daughters that I am actually able to be there for, and my partner and I have a stronger relationship than ever before. Life has not gotten easier since I put down the bottle, but it has gotten a whole lot better.
     


    Forrest Eaglespeaker’s band, The North Sound, has just released their second full-length roots-rock album, As The Stars Explode. The album is an autobiography written from places of pain, realization, and healing. It weaves together themes of addiction and sobriety, mental health, and intergenerational trauma. Some of the songs were written while Eaglespeaker was in the chaos of active alcohol addiction (such as “My Happiness”), some in the more grounded and “new” life of sobriety. “Better Days” was the first song Forrest wrote in sobriety and was released as a single during the beginning of the COVID-19 pandemic.

    Listen on Spotify. Watch the video for Heavy Heart.

    View the original article at thefix.com

  • Music and Emotion: How Songs Help Us Grieve and Heal

    Music and Emotion: How Songs Help Us Grieve and Heal

    Music can express how we feel when our grief renders us speechless.

    After my father’s death from suicide 16 years ago, I was always looking for signs—the flickering of a lightbulb, a bird flying overhead, anything that would let me know he was still with me. But in all those years, there was just an empty feeling, a giant black hole where those signs should be. 

    Then, a couple years ago, on the way home from lunch on my birthday, I heard Rod Stewart’s “Forever Young” on the radio, and I knew. I just knew it. That was the message from my father.

    Before and After

    Like many people who have lost loved ones to suicide, I tend to view my life in terms of Before and After; there was my life before he died and then there was my life after he died. I also tend to categorize music in much the same way. There are the songs that evoke the memories of my childhood, like the oldies from the ‘60s and ‘70s that we listened to on family car trips. I can’t listen to Simon & Garfunkel or Gordon Lightfoot without memories flooding back –like when my father introduced my sister and me to his record collection. We played those records for hours until we had all the words memorized.

    Then there are also the songs that remind me of the dark days and months just after he died. A month before his death, I bought Norah Jones’ debut album on a whim and it sort of became the soundtrack of his death. My mother and I listened to it constantly, so every time I hear “Come Away with Me” I’m immediately transported back to that time. Suddenly I’m that scared, confused 21-year-old who can’t believe she’ll never see her father again.

    These songs make me so sad, and yet I can’t stop listening. It’s almost like I’m drawn to the pain that those songs evoke, as if listening to them will somehow help me continue to process my grief.

    How Music and Grief Are Processed in the Brain

    As it turns out, there’s some validity in my yearning to listen to these songs. Listening to music actually lights up the brain’s visual cortex, which processes visual information and stores important memories.

    “Music has been found to have a nostalgic effect, allowing individuals to recall memories, feelings and emotions from the past, so as an individual listens to music, they will start associating it with memories and feelings,” says Aaron Sternlicht, a New York-based psychotherapist. “Musical nostalgia can be helpful in the grieving process to help resolve emotions that a grieving individual may have previously been suppressing.”

    After that birthday message, I started listening to “Forever Young” on repeat. I listened to it when I was writing. I listened to it when I was responding to email. I even listened to it when I was just surfing the web on a random Sunday afternoon. And then I heard it again one morning in March as I was browsing the aisles of Walgreens. At first, it felt completely random and I didn’t think much of it. Then I started putting the pieces together: Shopping together was one of our favorite things to do together, and it was March, the month in which my father died. The coincidences seemed too serendipitous, albeit bittersweet, and the words of the song just cut me like a knife.

    It felt like a message from him, filled with all the things he wanted to tell me. I was relatively young when he died, and there is so much we missed, so many conversations we never got to have, so much life advice he never got to give me. 

    For so long, I’d thought about all the things I’d say to him if I had the chance, but I never gave much thought to all the things he might want to tell me. There’s just so much I want to chat with him about — so many questions about life and what to do and hoping he’d be proud of me. Hearing the lyrics, I pictured my father giving me all sorts of advice, just like he used to. He was always fond of telling stories and imparting wisdom, and I miss his presence so much, looking over my shoulder and encouraging me onward. He was the ultimate cheerleader.

    It’s Not Just Me

    The more I thought about the powerful connection between music and grief, the more I wondered if others felt the same way I did. Did music also make them feel close to their loved ones? Did it help them in their own grieving process? And what is it about certain songs, albums, and artists that connect us to loved ones we’ve lost?

    To get some answers, I opened up the conversation on Twitter and Facebook. Before long, the stories started pouring in, full of love and memories. People were incredibly open and willing to share their stories as a way to honor their loved ones while at the same time acknowledging their grief. Here’s a sampling of some of the powerful experiences they shared with me:

    When I was in high school, my best friend and I made the world’s stupidest music video (with my parent’s massive camcorder) to Avril Lavigne’s “Complicated.” She tragically died of a bad reaction to pain killers/anti-depressants (we never quite got a clear explanation) about eight years ago. Every time I hear that song, I laugh thinking of that ridiculous day, but also want to cry.Catherine Smith, Philadelphia

    My grandpa was a Johnny Cash lookalike. He would even be hired to do impersonations at conferences! Cash is one of my favorite artists because he reminds me of my grandpa (whose name was actually JC, haha!) Last year I went to the Johnny Cash Museum for the first time and cried when I walked in—it was like seeing his face everywhere.Syd Wachs, New Zealand

    Neil Diamond’s “Sweet Caroline” reminds me of my dad, who passed away in September. That was his favorite song. The song has definitely taken on new meaning since his death.Melissa Cronin, Vermont

    When my grandfather died (quite a bit ago), I listened only to country music for about a month straight during my grieving period, as country was his favorite genre. I never listened to country before then, and I can only think of him now when I listen.Isabelle Lichtenstein, Boston

    When I was 16, my beloved Cairn terrier was attacked and killed by another dog. I can’t stop crying whenever I hear “Somewhere over the Rainbow” because Toto in the Wizard of Oz is played by a Cairn.Julia Métraux, New York

    My grandparents, especially my grandmother, loved Elvis, so I walked down the aisle to an Elvis song and it really helped me feel like they were there. —​​​​​​​Abbie Mood, Colorado

    [My mom] died three days before my 32nd birthday. I’d always wanted to take her to Hawaii because she’d always wanted to go and she’d never been anywhere. During my second trip traveling alone in 2012, I was standing in a McDonald’s restroom and heard “I Hope You Dance.” I’d never listened to the lyrics before, but I felt she’d sent me a long-distance dedication, Casey Kasem-style. I started bawling. —​​​​​​​​​​​​​​Miranda Miller, Cleveland

    My Dad’s Message to Me

    Just like Miller, I like to think that the words in “Forever Young” are a message from my father. My favorite line is: 

    But whatever road you choose, I’m right behind you win or lose.

    What a comforting, gentle reminder from him. Just hearing those words makes me feel like I’m still close to him, as if there’s part of him still here with me, right behind me, always, just like the song says.

    Music can be a comfort when everything around us is confusing. Music has the power to begin to heal our soul, even if only a little bit at a time. And, music can express how we feel when our grief renders us speechless, says psychotherapist Ana Jovanovic.

    “It can help us cry, verbalize our feelings and also, feel connected to others,” she says. “When you’re listening to music, you may be able to better recall some of the most significant moments in the life you’ve shared. It’s a piece of experience that helps us stay connected to a memory of a person, even when they’re gone.”


    What songs are meaningful to you and why? Let us know in the comments.

    View the original article at thefix.com